The circle of fifths can be a very useful tool for musicians and composers.
Ouroboros forms the circle and chaos it’s centre.
A slight variation to something practical.
This image is also available on t-shirts here: shop.spreadshirt.com.au/JMorbus/
“Circle of fifths” – J Morbus (Pen and ink on paper)
This painting was submitted for a group art exhibition at M2 gallery titled “Retro Specs.”
Artists were asked to revisit works from their past and reinterpret them.
The following is a quote detailing the intentions of the above peice:
“The concept of reinterpreting previous works presents me with an interesting quest. I consider process to be most important in art, each work contains problems to be solved and I learn something from each piece. Attempting to put myself into the same frame of mind of a previous time period will be a challenge. I have chosen a painting titled “corpse with brown hat” to revisit. This was executed after viewing an exhibition detailing Australian forensic photos. My earlier works tended to be completed swiftly in order to express the thought with as little inhibition and obstruction as possible. As I have developed, I spend more time planning my actions and consider many more aspects in a finer detail. The object of this work will be to conserve the atmosphere of its original, whilst elaborating on and amplifying its initial idea.”
Specific personal symbols were chosen to reflect this intention and to illustrate the contrast between the earlier work and the current piece.
“Rite of regressive illumination” – J Morbus (Acrylic, iridescent medium, modelling compound, cemetery soil and blood on board).
This painting was submitted for a group art exhibition at The Tate gallery titled “Zero A.D.”
A blazing funereal procession expelled from the ruins of a distant city aflame, of flesh and carnality, of death and destruction, of mysterious and mystic, trails behind a figure on hands and knees. Compelled to traverse the desolate landscape with the infernal march in tow, the harbinger gazes upward, towards the unseen.
“Valley of slaughter” – J Morbus (Leather paint/artist’s blood and skin on goat hide)
Another sketch on the subject of suicide.
This follows on from the work titled “Shotgun suicide“.
“Suicide” – J Morbus (Pen and ink on paper)
A literal title to reflect the simplicity of the sketch.
“Shotgun suicide” – J Morbus (Pen/Ink on paper)
Charon, at the helm of a vessel to ferry the dead, a lone cloaked figure adrift in a deep black abyss, guides his ship through the vacuous void, accompanied by the dull moans of lost souls brushing past the hull and left in it’s wake.
“The ferryman of Acheron” – J Morbus (Biro pen and ash on paper)
Despite no certain etymology, the wraith can be translated from an early Scottish word for ghost, specter or spirit.
This image of a wraith was sketched approximately in the same time period as
“The ferryman of Acheron“. This work was executed using a black biro on paper.
“Wraith” – J Morbus (Biro pen on paper)
A silhouetted image of a raven perched on a branch, with the moon looming behind.
This artwork is also available on T-shirts here: shop.spreadshirt.com.au/JMorbus/
“Raven” – J Morbus (Pen and ink on paper)
Initially inspired by thoughts conjured from reading Dante’s Inferno, coupled with images of weeping women that often decorate many tombs and graves, this vision of bleakness took its own melancholic form.
The Woman of woe is struck in a mournful pose, her limbs and body mutate into a withering tree. Her misery bound in an almost perpetual state of grief.
Two ravens sit upon her back, silently observing her anguish from above.
This artwork was one of my first paintings done on leather.
Other works completed on leather can be found on the Leather art page.
“Woman of woe across desolate plains under an eclipse of darkness” – J Morbus (Paint on leather)